I think we just witnessed some real life Harry Potter magic in action with a flawless performance of the score by the Sydney Symphony Orchestra at the Opera House.
Much as I enjoyed both the book and the movie, John Williams’ score to Harry Potter and the Philosopher’s Stone is not one that I frequently listen to. I suspect it is because it fits the movie so well and my life, unlike that of my eight year old son, is far from that of an 11 year old student wizard.
That should taken as a complement and not a criticism of the score and my favourite composer.
The magic of the score was unleashed from the moment that the film began and the orchestra played their first notes. Williams’ music danced between delicate melodies to rich orchestral textures utilising the full orchestra. His score is such an important element of the movie that it was rarely overshadowed by the on-screen dialogue and action.
If there was one tiny criticism it’s that it was almost impossible to hear the 15 minutes pre-concert featurette with composer interviews over the noise of entering patrons. The folk at the sound desk were too busy chatting and reading to notice until half way through.
American conductor Jeffrey Schindler engaged the audience and encouraged them to feel free to loudly celebrate the on-screen action and heroes. I don’t know whether it was him or a shared love of Harry Potter but the orchestra were also at their very best performance wise. I heard no mistakes, especially from the brass section. Haven’t heard the SSO play film music this well since their artistic director David Robertson conducted John Williams music back in 2014.
It was magic. Pure magic.
The Chamber of Secrets is coming out later this year. I hope Williams’ score, his last of the series, to the Prisoner of Azkhaban will also be performed as it is by far my favourite (and favourite movie of the series too, if you must know).
Perhaps if I wave that wand we took to the concert…
Best not, it did belong to He-who-must-not-be-named…